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" Seek the truth and run from

those who claim to have found it "

after André Gide

Druid Magazine Launches

June 20th, 2015

headerThe world of magazines is changing. Despite the internet we still want them and need them, with their mix of latest news, photo features and articles that will last longer than newspaper stories. People keep magazines, but only researchers or obsessives keep newspapers in any quantity. And with the web a new generation of magazines has been born. Now you can interact with the features – click on links that take you off on tangents, even listen to embedded audios or videos in some.
In the wonderful world of Druidry there are at least seven magazines that I know about – and six of these are online. Touchstone, the members-only magazine of OBOD continues to be issued in print only, but Druidic Dawn’s Aontacht is published online, and so are the other five magazines, all published by OBOD groups. The latest one to hit the virtual news stands is DRUID, published in New York by an impressive editorial team, led by the indefatigable Renu Aldrich, who sees herself as a Hindu Druid, as she explains in her introduction to the new magazine.
Head on over there now – 66 pages of fabulous articles and photographs await you: Druid Magazine!

Opera Tarot

June 19th, 2015

Stephanie & I are working on an Opera Tarot book to accompany the magnificent paintings of Linda Sutton – two of which are being shown at the Royal Academy Summer Exhibition 2015. Here they are, with comments from a review by James Brewer of the exhibition:

The Major Arcana 'Strength' by Linda Sutton for the 'Opera Tarot'

The Major Arcana ‘Strength’ by Linda Sutton for the ‘Opera Tarot’

'The Star' Major Arcana from the 'Opera Tarot' by Linda Sutton

‘The Star’ Major Arcana from the ‘Opera Tarot’ by Linda Sutton


Lovers of both visual art and opera should pause in front of two acrylic and silver leaf paintings by Linda Sutton, They are two of her paintings for her Opera Tarot project, all 78 of which were completed earlier in 2015. In La Fanciulla del West [an opera by Puccini], her Minnie is Renata Tebaldi. Linda recalls being at the opera in Bologna when the announcement came that the great lyric soprano had just died.

In the second painting, La Forza del Destino, Linda’s Donna Leonora is based on imagination. “Although I have seen and heard some wonderful Leonora’s, there wasn’t a singer who visually inspired me,” says Linda, “so, I made up my own!”

You can see another image from the deck in an earlier post here.

Celebrating Planet Earth

June 18th, 2015

Celebrating Planet EarthA great review by James Nichol of a wonderful book I was delighted to contribute toCelebrating Planet Earth, a Pagan/Christian Conversation: First Steps in Interfaith Dialogue.

A Timely Exploration

Highly recommended. This book, edited by Denise Cush, comes out of a weekend ‘conversation’ held at the Ammerdown Centre near Radstock, Somerset, England, from 31 January-2 February 2014. Originally devised as a Druid/Christian event, it was widened to include other Pagans and was intended to generate “dialogue, reconciliation and renewal”. The hope was that the participants could explore their prejudices and preconceptions, learn more about each other, and find common ground in ‘Celebrating Planet Earth’, as the event was called. The book’s contributors were all involved in the conversation.

The book is aimed at Pagans and Christians interested in making connections; academics and undergraduate students in Study of Religions taking courses on inter-faith dialogue, Paganism and Christianity; and anyone with an interest in inter-faith activities. Some of the contributors are academics in the field, but as well as academic input, there is a practical emphasis on personal spirituality and ritual practice.

I’m part of the core audience. Whereas I experience the spiritual path as ultimately beyond names and forms, I stand in the world as a Pagan Druid. I had a Christian upbringing and in recent years I have learned from the Buddhist tradition, as well as Christian-based movements such as Sophian Gnosticism and the Ceile De. All of these have supported me in my own practice and in my personal concern with developing a stronger contemplative current within Druidry. So I’m at ease with what Philip Carr-Gomm calls “fusion paths” in his chapter in this book.

From where I stand the ‘Celebrating Planet Earth’ more than meets its aims. It’s a feast. I felt that each contributor had thoroughly earned their place in it. It is divided into three parts, before moving on to editor’s reflections and conclusions. I want to say something about one chapter that spoke to me particularly strongly from each of the parts, as the best way in a short space of honouring the collection as a whole.

The first part is about ‘Addressing Our Fears and Prejudices’ and for this I pick out Graham Harvey’s chapter, ‘Fears and prejudices: a Pagan view’. For me, he has a very helpful analysis of what the task is and how to accomplish it. He makes it clear that “not everyone thinks alike” or should be expected to and that diversity has room for healthy opposition – properly handled, this can be a real gift. He makes the subtle point that the negotiation of difference is not just about fear and prejudice. It is also about avoiding the presupposition that “others are like us but not quite … that other people mean what we would mean when we say or do things”. Hence we need a refined quality of listening to avoid “talking past each other”. On the question of fear and prejudice specifically, he suggests that the two things to remember are that we should indeed “resist and challenge the small visions and petty fantasies that are imposed on others” and that “when we talk about what people do, rather than what systems are alleged to do, we will keep diversity in clear view”. He usefully writes down polarised lists of what ‘Christians’ and ‘Pagans’ are contrastingly stereotyped as standing for – and invites us to make a reality check on the items in the list. It’s a very useful way of opening the reader up to the actual experiences of individuals and groups in later chapters.

The second part is about ‘Possibilities for Co-operation’ and for this I pick out Tess Ward’s chapter, ‘Better together: transformation through encounter’. Early in her life as an ordained priest, Tess Ward went into her own version of Dante’s ‘dark wood’, a wilderness in which she needed to die to one life so as to be born into another. She lost her existing theological frameworks and says of that time: “in that wilderness, what sustained me was not theology, but poetry, silence and nature”. Without leaving her Church, she found pointers in Buddhist ideas (Anthony Gormley, Pema Chodron), Earth paths and feminist spirituality. She quotes Carol Christ as saying: “awakening suggests that the self needs to notice what is already there … the ability to know is within the self, once the sleeping draft is refused … for women, awakening is not so much a giving up as a gaining … a grounding of selfhood … rather than a surrender of self”. She also quotes Kenneth White’s poem ‘Labrador’ – “I was loathe to name it too soon – simply content to use my senses – feeling my way – step by step – into the new reality”. As, renewed, she moves back into the world and her role, she knows that interventions in the world only have value when they come from personal experience. She shares with Matthew Fox the view that the result of such a crisis is not to abandon one’s own tradition “but to demand more of it”. She now leads celebrations of the Celtic Wheel of the Year as an affirmation of her transmutation of faith within a Christian framework. Partly this is an enhanced appreciation of being grounded in the natural world and its cycles. Partly it is an appreciation of the place that resources outside her traditional faith have had in deepening her journey.

The third part is about ‘The role of ritual practice, myth, music and for poetry in each tradition and in inter-faith encounter’. For this I pick out Alison Eve-Cudby’s chapter: ‘Woven together: can Christians and Pagans engage in shared ritual?’ The author has a leading role in the Ancient Arden Forest Church in a burgeoning movement of Forest Churches. She describes this movement as “a small and growing number of Christians responding to the Call of the Earth”. Ancient Arden has an emphasis on ritual and her formal answer to the question she poses is a carefully contextualised ‘yes’. She says: “if we take earth celebration, care and connection as our basis for doing ritual together, to contribute towards re-enchanting the land in this time of ecological crisis then I think that shared ritual is possible”. She offers a fresh and energised discussion of ritual and its purpose. She describes ritual as an embodied event, and a process of framing in which dramaturgy, rather than theology, is the organising principle. Whereas logocentric approaches assume that the symbolic system expressed in ritual must be coherent, performance as an unfolding event lays out symbols in a way that reveals their inconsistencies and contradictions. The work therefore involves negotiating and holding these within the ritual container. We fashion rituals that enable liveable, regenerated worlds. Ritual is a transformative process, “the pattern of actions is designed to synchronise the awareness of the different participants – human, non-human and other than human”.

The book’s conclusions suggest that meeting itself was of great benefit, and make it clear that the people involved want to continue their work in some way (topic based subgroups are mentioned). I would simply add that this book is a gift to us all, and that I am grateful for it.

Celebrating Planet Earth can be purchased from Amazon.

Aluna and the Black Line Initiative

June 17th, 2015

20876“You know what you’ve done? You’ve sold the clouds.” A Kogi Mama talking about Climate Change

I received a DVD in the post the other day with a note from Sonia, with no return address, asking me to watch the DVD and then to pass it on. Thank you Sonia whoever you are! I watched it – it is called ALUNA – and it is about the Kogi who came to the world’s attention in 1990, when Alan Ereira made a film for the BBC about them and their message to the world. The Kogi were telling us to wake up, grow up and start becoming ecologically responsible. I wrote about them in my book Sacred Places. Aluna is Ereira’s follow-up film released 25 years later. We haven’t changed our ways enough, of course, and the destruction continues, but in this film and the Black Line initiative it has created, the Kogi present an unusual way for us to begin helping the world. This is where it gets esoteric, and the hard-nosed reductionist will find this too far-fetched to stomach, but for those who believe in subtle energies and holistic thinking, it makes a lot of sense. And to Druids, it’s something we’ve been doing for some time: getting to know our local landscape, taking care of it, and working in a sacred way, with magical acts.  If this interests you, have a look at the project site. And to read an example of the specific application of these ideas at the River Brue, near Glastonbury in Somerset, see
this article on the Black Line initiative’s site.

I’m passing the film on tonight…a little line of light linking each person who sees the film and then passes it on.

Save Ancient Yew

June 16th, 2015

A call for help from Fred Hageneder’s website

Call to help save an ancient yew tree in France

the hollow trunk of the chapel tree. © Wim Peeters

The small village of La Haye-du-Routot (Dept. Eure) is famous for its two ancient yew trees. One has a Mary shrine inside its hollow trunk, the other has a door leading into a small chapel inside the tree.

In autumn 2013, a whole section of the crown of the chapel tree was dying and the leaves turning brown. The analysis by the SNS Multilab Rouen revealed the extraordinary high amount of 14 mg/kg of glyphosate in the leaves. Glyphosate is a weed killer that usually does not harm trees because it acts only via the green parts of a plant. The only way to create symptoms like on this tree is to either spray the green branches or drill a whole into a main root and inject the poison.

Reports reached the Ancient Yew Group (AYG) that this intentional poisoning was most probably done by a man whose garden neighbours the churchyard. Local police did visit him but rather reluctantly, with the well-known inertia of ‘oh well, it’s just a tree’.

The good news, at least: Local authorities have decided not to take down the tree ‘because it’s dying’, but to give it time to regenerate.

Luckily, a local initiative was formed, Les Amis des Ifs (‘friends of the Yews’), which has since been organizing various events around the tree, to create awareness of their unique tree treasure.

The initiative has now entered this yew into the national vote for France’s Tree of the Year. And, quite surprising, the website of the jury seems to accept votes from outside France as well.

The idea of this call to action is that the perpetrator (and the local police) shall see just how many eyes are watching them now! Times have changed, wake up!

Vote here to help save the ancient yew tree of La Haye-du-Routot.

Celebrating the Summer Solstice in Sussex

June 15th, 2015

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Join us in rural West Sussex for a talk, a pilgrimage and a celebration of the Summer Solstice.

Philip’s talk starts at 11.00am, followed by a local pilgrimage, returning for a closing celebration which ends at 4.00pm.

Please be sure to bring a pack lunch as there is nowhere to buy food. Be prepared for any weather, rain or shine, as we will be outside in the magical woodland all day. We will be starting and finishing in the beautiful garden of Chithurst Manor. To book a place go to gatekeeper.org.uk

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The Order of Bards Ovates & Druids Golden Anniversary Grove Update

June 11th, 2015

treesforlifeHere is an update from Trees for Life about the OBOD Golden Anniversary Grove with a link to our Grove page:

In 2014, you dedicated a grove of trees in memory of the Order’s founder Nuinn – to give back to the Earth and to celebrate the Order’s founding fifty years ago! We were truly overwhelmed by your generosity in creating a grove that received such thoughtful donations and special dedications from your friends and family. 

I thought you would appreciate an update on your grove, and would be interested to hear how your trees are growing and helping to bring wildlife back into the landscape.

The native trees planted in your grove include a mix of species such as Scots pine and birch, along with aspen, rowan, willow and juniper reflecting the range of species that are found in the Caledonian Forest. They were all planted by Trees for Life volunteers and each personal dedication written on your grove page was read out as your trees were planted.

The trees planted within your grove are less than a year old. Birch trees are growing the fastest, and are now helping to provide shelter and protection from the elements for the other trees which take longer to establish, such as Scots pine. Willow are also doing especially well and the aspen are showing new steady growth. 

This spring, we were delighted to see an increase in Black Grouse in and around the new woodlands created by dedicated groves. These birds are very rare and declining in many parts of their range. They need a healthy mosaic of habitats both for food and protection from predators. With the planting of your grove, you have helped to conserve the natural habitats and woodlands needed to expand the population of these beautiful birds at Dundreggan.

We regularly carry out ecological surveys and some exciting discoveries have been found at Dundreggan in the last few years. Spectacular insects such as the puss moth, pebble prominent moth and the green hairstreak butterfly are just some of the species that will benefit from their expanded habitat in the future. Lots of information on the biodiversity of the Caledonian Forest and its fascinating species can be found here: http://treesforlife.org.uk/forest/species-profiles/

Last year we launched our new website, and this has given your grove page a slightly different look. One new feature that I particularly hope you will enjoy is the selection of seasonal photos. These will enable you to enjoy the Caledonian Forest as it changes month by month throughout the year.  

You can see your grove page here http://treesforlife.org.uk/plant-trees/grove/6290/. To date you have 594 trees in your grove, and you are welcome to add further trees and dedications to your grove at any time. 

I have included some photographs with this email to help you visualize the trees planted in your grove. As your trees are still young, I have also included a photo of mature trees so you can picture just how magnificent your trees will be in the future. 

If you would the opportunity to visit your grove and also plant a tree yourself, we have a special Grove Day at Dundreggan on Sunday 13th September 2015. Places are limited for this guided tour so please contact me asap on emma@treesforlife.org.uk for more details. 

Thank you for continuing to expand the Caledonian Forest through your generous support. We look forward to adding further trees to your grove and watching them grow with you in the years to come. 

OBOD Summer Gathering in Glastonbury

June 10th, 2015
Avebury - with OBOD at the Summer Gathering June 2015. Photo: Valentina Bernardi

Avebury June 2015. Photo: Valentina Bernardi

Just back from another wonderful OBOD Summer Gathering at Glastonbury. Many participants travel a long way to get to these events, which become pilgrimages as well as celebrations. About 100 out of 200 participants at the Gathering take a coach at 4.15 on the Sunday morning to join in a ritual at the Avebury stone circle. Here are photos from Avebury this year taken by Valentina Bernardi. And here is a quote about the desire to go on journeys:

The moon and sun are eternal travelers. Even the years wander on. A lifetime adrift in a boat, or in old age leading a tired horse into the years, every day is a journey, and the journey itself is home. From the earliest times there have always been some who have perished along the road. Still I have always been drawn by windblown clouds into dreams of a lifetime of wandering.

‘Narrow Road to the Interior’ by Matsuo Basho (1644-94)

OBOD ceremony at Avebury June 2015. Photo: Valentina Bernadi

OBOD ceremony at Avebury June 2015. Photo: Valentina Bernardi